2019
While initally an intense thriller, The Informer buckles with an insuffiently used cast and material to provide for good impression.
Emanuel digs knee-deep into the prevalence of racist violence reaching yet another horrible conclusion with the acts committed against the Charleston 9 that fateful day in 2015.
By the Grace of God is flawed, but undeniably powerful. It definitely needs to be regarded as more than just the “French Spotlight”.
As a true crime miniseries, Unbelievable does well in telling the womens’ side of things, depicting their trauma, and how they are forced to relive the horrific events over and over.
While not challenging, The Parts You Lose is a thoughtful if not meager meditation on the relationships that define us.
As poetic as its title, The Body Remembers When the World Broke Open cannot be understated for its power and must not be erased from the conversation.
Somewhere in the passable 90-minute In the Tall Grass is an hour long short that’s riveting, tense, and short enough to not overstay its welcome.
Between Two Ferns: The Movie is a unique type of performance with unique humour crafts a unique type of film.
In this delightfully strange suburban comedy by sketch veterans Jocelyn DeBoer and Dawn Luebbe, adults…
Philophobia is a film where words are meant to have stories unto their own with connotations and nuggets of meaning buried within.
Ever since its Palme d’Or winning debut at Cannes, Parasite has been accumulating buzz like…
After the Wedding wants nothing more than to be a tearjerker, but the emotions run cold and the twists are all for show.
The Day Shall Come really comes close to approaching greatness, so it’s even more of a shame that it sputters as it reaches the home stretch.
if Abominable is any indication that Dreamworks is eager to reinvent their brand, bright things could be ahead for this powerhouse studio.
Gemini Man smears a lot of fancy tech all over an empty and tiresome thriller.