2019
Forgettable and quite boring, The Addams Family is perfectly passable as a children’s film, but not a genre classic.
Color Out of Space heralds Richard Stanley’s return, a man given short shrift and who has a great eye for throwback horror and truly creepy cinema.
If you’re willing to take a chance and join Eggers, Pattinson, and Dafoe on their very weird journey, you’ll find it’s worth the trip.
Although Helen Mirren’s performance as Catherine the Great is good, the miniseries itself was a chore to finish despite weighing in at only four hours.
Coming in at just over 90 minutes with a solid pace throughout, Porno is very funny, very gross, and full of heart.
Jay and Silent Bob Reboot, is a heartfelt, thoughtful film that takes a clever jab at Hollywood’s dwindling originality, while maintaining its own level of originality.
Hitsville: The Making of Motown is a loving and lively reflection on Berry Gordy’s pop music factory, one of the greatest of the 20th century.
Though More Beautiful For Having Been Broken suffers due to its execution of these significant ideas, it has heart and potential behind it.
Stylish, savage and supremely funny, First Love is the shock of adrenaline the action genre needs and deserves.
Maleficent: Mistress of Magic is a movie that feels at war with itself, but when the right side breaks through, it can be something beautiful, like the film that came before.
Lucy in the Sky is an absolute flatline, dragging to an anticlimactic ending. Noah Hawley might do best to stay in television.
While it isn’t a terribly exciting conclusion to a richly-textured saga, it’s the little moments along the way that make El Camino a heartfelt final chapter in a great character’s story.
Arrow has kicked off its final season with a mostly entertaining and emotionally engaging episode.