2019
Earthquake Bird is likely to be but a blip in the filmography of both its stars and director.
Klaus captures the old fashioned wonder of Christmas within the old fashioned splendor of traditional animation.
Between bad dialogue, acting that feels as undeveloped as the characters, and an unfocused story, it’s no wonder Midway feels like a drag.
While the tone, look and disturbing special effects will enthrall audiences in the beginning, Daniel Isn’t Real misses the mark in its third act.
A transformative adaptation, American Son may not be a groundbreaking piece of filmmaking, but that’s not what it was meant to be either.
With the talent both behind the camera and in front of it, one would expect more thank a glorified Hallmark film from Last Christmas.
Charlie’s Angels is an uneven movie, but the joy of watching Stewart, Scott, and Balinska relish the lighthearted fun overpowers any shortcomings.
Ed Perkins’ documentary Tell Me Who I Am is an experience that’s both remarkable and powerful.
Frozen 2 is a perfectly fine sequel. It features gorgeous animation, but the story lacks the magic of the first one. Maria Lattila reviews.
“The Gift” of Johnny Cash is how he brings us into his struggles, into his journey, and lets us be a part of it with him.
Watchmen has hit a little under the halfway point, the pins are being set up and knocked down at the bat of an eye, and it just keeps getting more and more clever every week.
Like the novel that came before it, Watchmen elaborates on its characters’ futures vs their pasts in ways only the author can imagine.
Entering Disney+ as its flagship series, The Mandalorian takes place in between Return Of The…
An unvarnished character study of an unexpected abuser and the havoc her actions cause, Queen of Hearts is one of the most emotionally draining films this year.
In our current political climate, A German Youth teaches a history lesson worth repeating.