2019
Troop Zero is a feel-good film in every sense of the word and it is the hope of this critic that people find and cherish this film.
John Mulaney and crew have deftly crafted a funny look at being a kid, silly enough to be likable while endearing itself to our nostalgia for childish things.
Though featuring actors and events you’ve seen before, Mob Town should have been left on the shelves.
I Lost My Body leaves plenty to be interpreted and discovered by its viewers, making it one of the most thought provoking animated films of the 2010s.
Code 8 is exhilarating, gruesome, and touching, and its unique premise may very well be appreciated across genres.
Wasp Network’s bites off far more than it can chew, there’s no denying this all-star cast makes up for what is lost in plot.
So far, this season of Terrace House Tokyo has had a mixed bag, and it really doesn’t seem like anyone is close to accomplishing their stated goals.
For all of its admirable intentions, the film’s flimsy storytelling does a disservice to Seberg’s legacy.
The Death and Life of John F. Donovan is far from perfect, but still manages to be a fascinating attempt at exploring sexual identity, isolation and the consequences of fame.
Midnight Family reveals the bleak reality of a private ambulance business in Mexico with impressive realism and honesty. Michael Frank reviews.
Bait is a stunning and memorable debut that pokes itself into the uncomfortable spaces between class and solidarity in modern British society.
Spies in Disguise is an almost poetically appropriate summary of everything computer animation has become in the last ten or so years.
The True History of the Kelly Gang is often punishing and resistant to facile translation, but there’s no denying the merciless power that Justin Kurzel brings.
A story of heartbreak bandaged up by rebellion, System Crasher will wrench your heart out of your chest and stomp all over it.