2018
In the Aisles takes audiences deep into the emotional lives of people who seem destined to hover on the periphery and highlights the beauty to be found there if one bothers to look.
While Head Count shows potential and has some really good high level thoughts, there’s just not enough scares to bring the film to life.
American Mirror: Intimation of Immortality is a strange beast, an undefinable fever dream of artistic memories and clashing personalities that shrugs off expected genre conventions.
Ian Nathan’s new book provides a definitive account of how Peter Jackson and his crew ripped Middle Earth from the page and translated it to the big screen.
If Michael J. Gallagher continues to craft sharp, smart films like Funny Story, he may build his own unique place in current American indie cinema.
By using a traditional revenge movie template, Jennifer Kent reminds us that we can have no catharsis for the horrors of the past.
The allure of Jon Foreman’s approach to life can be summed up by one day documented for all posterity in the documentary 25 in 24.
A big crowd-pleasing comedy that truly delivers, The Trouble With You is simply a very funny film with a very large heart.
Once Aurora is breezy, raw and evocative, an often surprising visual close-up of a young artist moulding her career against the mainstream methods of pop success.
Echo in The Canyon is an ode to a time and place when the music coming out of Laurel Canyon defined the California Sound of The ’60s.
What happens to those without resources to evacuate a dying world? John Stanford Owen examines life and humanity in High Life.
The Proposal is a documentary that goes the extra mile portraying Jill Magid’s quest to access Luis Barragan’s archives. Frazer McDonald reviews.
Dogman stands as a uniquely moving viewing experience, reinvigorating a film movement that otherwise might seem obsolete or outdated.
With a strong idea that isn’t executed as it should have been, The Rainbow Experiment ends up less enthralling than its titular incident.
For all of the accusations thrown around in The Reports on Sarah and Saleem, nobody can accuse this Palestinian drama of being melodramatic.