2018
Unfortunately, our hero has fallen victim to the sophomore slump; Jack Ryan has made a lackluster return to our screens for season 2.
Not all conversations are deep, some of them are about trivial everyday things. But in Grass, every conversation is an intricate miniature story.
The Dead Center is one of the more intriguing, effective indie thrillers as of recent memory.
By relying on the best possible ambassadors to convey its message, In Search of Greatness provides an intriguing and inspiring look at sporting excellence.
Though executed gracefully, Bored in the U.S.A.’s characters lack the chemistry needed to have us stay invested in their journey.
Night Hunter’s stellar cast, skilled musical score composers, and a solid set of inspirations combine to little beyond an uninspiring drama at best.
Disenchantment Part 2 feels new, current, and understanding of what makes it wonderful – chapter 3 not only feels necessary, but desperately asked for.
Gwen is an effective and daunting horror that engulfs its audience with perfect production design and cinematography that throw you into the eerie and frightening Welsh highlands.
Ága shows how native practices of conservation, sustainable living, and a deep and respectful connection to the land is all but withering away in the face of our technological acceleration.
The inspirational story of a teacher reaching his or her students to help them succeed…
The Harvesters is a film with uncomfortable weight, one that slowly but surely crushes you in the way any society presses on those who don’t fit in.
Freaks is a paranoid little picture, using its influences wisely while manufacturing something distinctive: one of the best Sci-fi’s of the year.
Season 2 of Titans starts off on a messy but promising foot that does more to excite fans for future episodes than work as a spectacular conclusion for its previous arc.
While it just never rises above mere pleasantness to be truly compelling, The Bromley Boys is entirely pleasant to watch.