2018
Hard to comprehend, The Icarus Line Must Die has a strange dream-like atmosphere that seemingly evades definition.
Eighth Grade is the messiness of the teenage experience confidently articulated by a first time filmmaker with an innately humanist streak.
Certainly not perfect but a very interesting watch, Cash’s debut feature film is a well-executed musing on family, sexuality, and the Electra Complex.
Brother’s Nest is a return to form for Shane and Clayton Jacobson, their comic noir feeling like an Australian Hitchc*ck film.
Lost Warrior dares to challenge viewers on ideas of rehabilitation and forgiveness through its compelling case study of a young family separated by a cultural identity crisis.
Despite a strong beginning and strong performances, Siberia is ultimately a confounding mess of genres and tone.
The Devil’s Doorway is effective up to a certain point, but ultimately it squanders all of the potential set up in its first act in lieu of a very by-the-numbers found footage horror.
Swimming with Men is a wasted opportunity for what could have been an effective character comedy in the same vein as The Full Monty.
The second season of GLOW is equal in emotional intensity to the first – reuniting its original cast and introducing some new members.
A Woman Captured is a haunting insight into the life of a modern slave; we were also able to talk with filmmaker Bernadett Tuza-Ritter about her experiences making the film.
An uneven final product with a mess of ideas and images thrown onscreen, The First Purge will sear moments in your mind, leaving you to question whether it was all worth it.
While Tag offers a servicable film for those simply wanting a fun time at the movies, the potential for something funnier and more emotionally engaging is unrealised.
We spoke with Tim Wardle, director of the great documentary Three Identical Strangers, about the psychology of the film, its subjects, and more!
Ideal Home is a heartwarming ode to acceptance and finding family in the most unlikely places.
Best F(r)iends: Volume One’s dramatic ambitions are a step in the right direction for the legendary pair, but its low-budget nature severely limits its potential, especially when it comes to its technical credits.