Lacking the dirsired jump scares and trust in itself, Our House is a film that will now be stuck in limbo, too tame for modern horror audiences and not emotionally satisfying enough for others.
Castle Rock’s Filter is an impeccably scored episode, with enamoring performances by Spacek and Holland, that level out the grooves this mixed bag left behind.
Dark Tourist transcends its genre and explores what it actually means to travel, making for one of the most remarkable and profound travel shows ever made.
Whitney’s monumental accomplishments as a recording artist and harrowing personal problems are sensitively detailed in Kevin Macdonald’s terrific biography.
While Snapshots is far from a perfect film, it made with such an admirable degree of earnestness, with so much feeling, that it is easy to overlook the flaws.
To All the Boys I’ve Loved Before is a testament to how far young adult films have come, resisting stereotypes and cliches despite seeming to fall into a gimmicky premise.
We the Animals is an undeniably moving film, but one whose emotional power is curbed by its similarity to other notable US indies of recent years, failing to rise out of the shadows.