2018
Kusama: Infinity is a great introduction to the artist’s life and work, but it will definitely leave you wanting to seek out more information.
Songwriter is a fun and lighthearted look at the process of behind pop music songwriting, with a little bit of a background on the man behind the guitar and mic.
With a distinctly nineties feel, An L.A. Minute is surreal and thought-provoking, even in its imperfect moments.
If what you’re after is a mainstream horror film with scares that come thick and fast, save your money and skip Slender Man.
Boarding School follows in suit with the continued reinvigoration of the horror genre, breaking away from the cliché and introducing new scares.
Sharp Objects’ powerful series finale is a masterful instance of persistent hard work and a careful attention to detail paying off.
The Little Stranger is a demanding but absorbing thriller – it will not spoon feed you scares, and it’s all the better for it.
Blue Iguana is a fun throwback to 80’s action crime movies, aided by fantastic performances and a punchy script.
Five Fingers for Marseilles is sporadically entertaining while watching, but devoid of the food for thought a film with this subject matter urgently needs.
Instead of living up to its Godard and Whedon-esque aspirations, Blood Fest shoots itself in the foot, delivering cliche after cliche in a formulaic, hopelessly grating package.
Team WahlBerg’s latest effort Mile 22 is abysmal, wasting the talents of all parties involved for a schlocky, aggressive shoot ‘em up picture.
With its dedicated cast, some awe-inspiring cinematography, and a gripping survival story at its center, Alpha is a far better film than one would expect to find.