The Wife is a middlebrow bore, a domestic drama with an intriguing concept that’s made easily forgettable due to the middle of the road direction from Bjorn Runge.
Ozark’s sophomore season lives up to both critic and viewer expectations with a complex web of storylines and characters intricately placed to be the visual chess board TV has been waiting for.
If you need to take a break from reading about all of the acclaimed films you’re missing out on seeing at all of fall’s prestigious film festivals, go ahead and watch Final Score.
A clunkily-titled but absorbing documentary with alot of material to juggle, The Public Image Is Rotten is breathless at times, but never less than engaging.
Replete with unnatural dialogue and emotionally manipulative plot developments, Bel Canto may well go down in cinematic history as the most boring hostage drama of all time.
Failing to push boundries, Ladies in Black is the definition of someone delivering the bare minimum in film direction, where the simple monotony of Aussie contempories doesnt cut it anymore.
Lizzie may be a fictional tale of a real-life crime that we will never fully know the truth of, but it sure is an intriguing and especially a well-designed one.
The latest episode of Castle Rock, “Henry Deaver”, dives further into the mystery behind the character, providing us with an alternative, intriguing world.