2018
Las Vegas Love Stories is a charming homage to falling in love, with each short inventively embellishing six couples falling in love, whether it be literally or figuratively.
The saying goes that the story writes itself, but White Boy Rick shows that even the best tales can be crafted into a boring, listless film.
Paul Feig’s latest, A Simple Favor, sees him unshackle himself from his comedy ties – unfortunately, the result is a subpar Gone Girl wannabe.
With some of his most impressively staged set pieces to date, Hold the Dark proves that Jeremy Saulnier is one of the most assured genre filmmakers working today.
With two likable stars playing unlikable characters, some witty repartee that borders on being too wordy, and an overuse of its finer points, Destination Wedding ends up getting lost in execution.
Making Montgomery Clift reminds us that the legendary actor was a mortal being, fallible but also fiercely independent.
Due to some finer details, The Land of Steady Habits is not unsatisfying per se, but it also has no staying power.
Tea With The Dames is a charming documentary, offering the once in a lifetime chance to spend ninety minutes in the company of four iconic actresses.
The Silence of Others reveals the struggle of victims of Spain’s 40-year dictatorship under General Franco, who continue to seek justice to this day. We spoke with directors Robert Bahar and Almudena Carracedo.
With a minimal budget, Mara will satisfy an audience that enjoys jitters, with just enough scares that as you leave the theatre you might dread your next bout of sleep paralysis.
Not bad but rather bland, The King of Thieves is too simply constructed to fully capitalise on its solid cast and compelling true-life crime story.
Carried by a flair for dramatic visual and a remarkable lead performance from Mulubwa, I Am Not a Witch is a fierce and undeniably feminist film unlike anything else in cinemas this year.
Summer of ’84 may have been passed over as a cheap Stranger Things knockoff, but there is surprising depth to it if you look beneath the surface.
A Fine Wife is an important film and a conversation starter, giving us a raw inside look at mental illness from the point of view of a loving mate.
The Toybox rises above being completely predictable with some interesting cinematic choices, and the decision to be unapologetically gruesome.