2018
A Moment in the Reeds uses strikingly intimate storytelling to give an important voice to the struggles of sexual and ethnic minorities in our society.
If you’re forced to watch The Christmas Chronicles with your family this holiday season, hold on for that Kurt Russell musical number and you’ll be just fine.
Nightmare Cinema is the perfect anthology movie, with each short containing enough wild ideas and moments to hook in an audience no matter what kind of horror they like.
Anyone outside of the teenage demographic will be left rather annoyed with The American Meme, not by Marcus’ talents but the talents within the documentary itself.
Family horror Clara’s Ghost skillfully holds the audience in its grip, and while Clara may be the focal point of the film, it is an excellent family study.
Tasked with saving the day once again, the Doctor and her gang aim to put an end to literal witch hunts in 17th century England, while coming up against an army of possessed “witch” corpses.
Thanks to its inventiveness, effective execution and originality, All the Creatures Were Stirring is bound to be another Christmas horror classic.
A comedy with Haddish, Sumpter and Goldberg is a nice idea, but Nobody’s Fool soon makes you realize that you have been cat-fished.
While Creed II does not reach the fantastic heights of Creed, it still puts up plenty of fight to prove itself worthy.
Owing mostly to the funny duo of Mark Wahlberg and Rose Byrne, Instant Family somewhat succeeds, though its switch to full-out drama by the end is jarring, to say the least.
Robin Hood seems to have a set of requirements to meet, and it gives the bare minimum when meeting them.
The Truth About Killer Robots is an essential part of the ever-evolving debate as to where our civilization currently is, and where it may ultimately be heading.
It is a shame when a movie like Hell Fest this is let down by the very reason for its existence – a slasher movie is only as strong as its slasher and the fear that slasher creates.
The Ballad of Buster Scruggs is some of the Coens’ best work: the storytelling is so delicate and precise, like a beautiful poem squeezed of every superfluous word.
Hanna Fidell and co-writer Carson Mell accomplished a feat rarely seen with The Long Dumb Road, a believable wacky comedy.