2017
A Quiet Passion shows us that there is much more to the mythos of Emily Dickinson than meets the eye, and with Davies’ ever-lyrical vision at hand, the end result is the most comprehensive picture of her that we may ever have.
Overstuffed, generic, and with poorly executed CGI action, The Fate of the Furious is nothing more than another franchise crowd-pleaser.
Stephanie Archer reports on her time during Tribeca Film Festival 2017, red carpet events, interviews, reviews and more!
Indie low-budget vampire horror Night Kaleidoscopee has solid visuals but this is not enough to cover up its paper thin characters and story.
The Discovery dabbles in too many genres and never makes a compelling case for any of them, resulting in yet another lackluster Netflix film.
Most Hated Woman In America never quite lives up to the intrigue of the contentious woman and her story at the heart of the film.
The Sense of an Ending is a commendable effort from both director and cast, yet its underwritten characters become lost in adaptation.
The stale found footage genre is revitalised with ambitious anthology film The Dark Tapes, a stunning directorial debut from Michael McQuown.
Going in Style from Zach Braff is a forgettable film that stumbles through genres while seemingly wasting its timeless cast.
Gifted is grounded and gritty, on a mission to make you laugh, make you cry, make you root for the good guys while booing for the bad.
Wilson is as gleefully profane and heart-wrenchingly tragic film, that lives up to its creator’s legacy as a storyteller.
Ghost in the Shell is full of visual splendor, yet ultimately lacks the originality or prowess of the original Japanese anime film.
High concept on paper, in reality, Mine turns out to be convoluted and utterly confused about the story it is telling, ending up feeling more like a Michael Bay film on a shoestring budget.
Song to Song brings A-game performances and an was aesthetically pleasing look, all that was missing was a strong plot.