2017
The Dinner might have attempted to do too much with its source material, but Steve Coogan is phenomenal, in one of his best roles to date.
With Table 19, writer/producers Mark and Jay Duplass have added another light and breezy flick to their eclectic filmographies.
Abacus: Small Enough to Jail focuses on a bank who could be scapegoated for the crisis without decimating the U.S. financial system.
Streamer is a tense, intimate and at times stunning feature that ultimately derails in its very final moments.
Guy Ritchie has joyously updated King Arthur with the same distinctive style as his Sherlock Holmes movies. Purists may want to look away.
The Amy Schumer hate train has been gaining momentum as of late. Her hard political…
Despite bringing to life some previously unseen perspectives on the holocaust, The Zookeeper’s Wife is far from faultless.
Yellow Fever wants to be an important film about Asian identity, however it falters and falls back on tired Hollywood plots and stereotypes.
Other than strong performances, Deny Everything is mostly unsuccessful, due to an uneven story-line, poor camerawork, and jokes that fall flat.
With an interesting premise & gorgeous visuals, A Cure For Wellness sadly gets bogged down by its 130 minute runtime and poor story delivery.
Though with timely themes and a fine cast/director, The Circle attempts to do too much with its material, instead ending up as lost potential.
Small Crimes’s script fails to capture the continuity of Zeltserman’s novel, and Katz doesn’t make the transition any smoother at the helm.
Guardians of the Galaxy Vol. 2 pales, in some ways, to its predecessor, yet it has just enough charm and heart to make up for its pitfalls.
Before I Wake feels like a parody of director Mike Flanagan’s more successful work, prioritising emotional manipulation over story and scares.
Berlin Syndrome is aligned with many kidnapping narratives, but it suffers from an unfocused approach, but in subject and character focus.