2017
While The Wizard of Lies is overly long and brings nothing new to Bernie Madoff’s story, Robert De Niro’s performance more than makes up for it.
Stefan Zweig: Farewell To Europe is a fine display of craftsmanship, but it’s far too infatuated with its own beauty to engage on the level to which it aspires.
Though blessed with a talented cast, Baywatch is overall a shipwreck, due to its rudimentary, unfocused script and few laughs overall.
Alien: Covenant takes a valiant attempt at re-creating the magic from the original, but ultimately falters from screenplay to screen.
Annie Waits is a well-made short comedy that explores strong themes of young identity and love.
With Take Me, actor Pat Healy brings his talent behind the camera, and in the process creates a delightful twist on the kidnapping narrative.
Overloaded with action and lacking in strong character moments, Dead Men Tell No Tales is an unworthy addition to the Pirates franchise.
Everything the Light Touches is an introspective look at a Welsh Elvis impersonator, and also manages to be something even more profound.
The Wall has a kick-ass ending worth shouting about- it’s just a shame the journey there is significantly less interesting.
Wakefield is an introspective and interesting examination into a man who willingly decides to isolate himself from his family and the world.
Afterimage is the swan song of legendary director Andrzej Wajda, depicting the artist Władysław Strzemiński during Stalinist-era Poland.
B&B is a Hitchock-inspired thriller that manages, while not gracefully, to hit on a broad spectrum of issues gay people face in the West.
The Immortal Life of Henrietta Lacks tells the story of Henrietta Lacks, whose cells helped to give birth to modern bio-medicine.
Despite some well-directed action sequences, Unlocked is mostly fleeting entertainment, inserting nothing new into a tired-out spy genre.
Released in cinemas for one night only, Logan Noir is every bit as bloody, brutal and essential as its brightly coloured counterpart.