2017
Zelos is definitely not your typical romantic comedy and it’s an extremely complicated film, full of obstacles that a majority of people can relate to.
Proving the undead ain’t quite dead just yet, One Cut of the Dead remind us that even though some ideas might sound generic or overworked, it’s ultimately up to the execution
Rotoscoping hasn’t really been used in this way before. True, this feature from German-Iranian animator…
DriverX is a memorable character study, managing to capture the beauty of a city at night, while exploring generational differences and self-discovery.
Izzy Gets the Fuck Across Town is a fever pitch of impetuous energy with an extortionate fervor that matches Izzy’s note for note as she embarks on this most-unorthodox road trip.
Transformer tells a touching story of the human spirit so moving, it’ll feel like a weight off your own shoulders while watching.
One Cut for the Dead is an inventive zombie comedy that encourages the feel good celebration of the hard work that goes into making any film.
Created by Mark Dennis and Ben Foster, Time Trap is a sci-fi/fantasy that starts with an interesting concept, yet turns into a jumbled mess of its own doing.
Hilarious, formally impeccable and necessarily provocative, Bodied may well be the greatest hip-hop movie ever made.
Avoiding the classic cliches of a grieving teenager, Nick Naveda’s debut Say You Will will pleasantly surprise any movie lover, perfectly capturing the feeling of loss and romantic confusion.
Let the Corpses Tan is an exhilarating and original work of wild genius that we’ve come to expect from directors Hélène Cattet and Bruno Forzani.
By elegantly twisting the tropes of both the road movie and the war movie, The Last Suit tells a familiar story in a fresh manner.
Memoir of War is at its best when focusing on the inner life of its protagonist – but even she can’t prevent it from feeling unnecessarily drawn-out.
The Forest of the Lost Souls is an impressive debut that will find its audience in those filmgoers who appreciate cinematic genre fusion.
Despite its worn-out political commentary, The King is a quietly revolutionary music documentary.