2017
Rat Film delves into the history of Baltimore’s city planning and the bigotry that has perpetrated on the African-American population.
What Will People Say is a brutal yet powerful study of the effects of subjugation on a young woman in a highly patriarchal society.
Patti Cake$ is the true sleeper hit of the 2017 summer movie season, and here’s to hoping that it continues to build momentum as it makes its way to home video.
Cardinals is a tense and subtly effective thriller set in small-town Canada, bolstered by strong performances and complex themes.
Is This Now is a perplexingly bad movie, rife with awkward tonal shifts, poor camerawork, unbelievable acting, and a very unfitting ending.
Despite a winning performance from Lola Kirke, it looks like Fallen’s destiny is to be assigned to the scrapheap of YA movie history.
Batman And Harley Quinn’s lack of action and poor voice acting for the character of Harley Quinn make for a disappointing film.
Despite two talented leads, The House suffers from a script that doesn’t utilize their talents, ultimately becoming forgettable as a result.
Though visually enticing, Valerian and the City of a Thousand Planets is bogged down by a bloated script and poorly written characters.
Predictable, overbearing, and generic, Ghost House is a film that is lacking in all the essential ingredients that make up a great horror.
Despite committed, enjoyable performances from Samuel L. Jackson and Ryan Reynolds, The Hitman’s Bodyguard is tired, cliched and overlong.
God’s Own Country, a unique coming out story, is an amazing directorial debut for Francis Lee despite some minor, forgivable missteps.
Though choppy and unfocused, with campy and cringeworthy acting, The Evil Within it has a certain charm behind its bizarre facade.
Ingrid Goes West is a great commentary on our obsession with social media but while it is a good comedy it fails to be truly remarkable.
SHOT CALLER: A Terrifyingly Accurate Castigation Of White Supremacy
What Shot Caller lacks for, narratively, it makes up for in its complex character study guised as a prison drama, expertly exposing human nature’s animalism.