2017
“Princess Cyd” is superbly shot, written and acted, with a relaxing slice-of-life approach to its story that makes it a delight every time.
Paco Plaza’s Verónica is the latest to enter the horror genre fold of demonic possessions, Ouija boards, and hauntings.
Klem shows that Dutch series sometimes have a better start than award-winning American series like Breaking Bad. In short – Klem is a must-see.
Spoor combines the plot of a murder mystery with the morality of an old-fashioned fable to convey a message of righteous environmentalist anger.
Frances Maurer had the opportunity to speak with writers David Bly and Leah Rudick, who also star,about their new film Sweet Parents.
The Sounding is a tribute to William Shakespeare first and foremost, though that adoration often gets in the way of its storytelling.
All and all, Good Manners is a flawed narrative with a good heart and powerful message at its core.
Game of Death is a fun and gore-filled examination of horror and video game conventions that works well in its short runtime.
As Clay and his friends say good by to Liberty High, so too do we to the relevancy and unrelenting focus of a series unafraid to look away.
Next Door Spy is a timid animated film but may be just enough for the kids come quiet time.
Closeness is an intriguing debut film that is marred by one incredibly bad choice on the part of its director.
Our latest in the Queerly After Series is about 2017’s God’s Own Country.
Kept Boy is neither so bad it’s good, nor is it endearing. It’s just a dull movie populated by unlikable characters.
Fairytale is an interesting take on the story of a transgender woman’s transition, set against the backdrop of external threats of UFOs, communism and a picture-perfect 1950s setting.
Whatever this monumental debacle was going for in the end, it failed majorly while managing to reference two far superior films in its title.