2016
London Town is a fictional story about a boy in 1970s London meeting up with his music idol, Joe Strummer; it is a mostly entertaining romp.
Admirably performed, It’s Only the End of The World suffers from underwritten characters and a refusal to bring his trademark widescreen scope
Headshot is a bit too melodramatic and tries to emulate The Raid sequels too blatantly, yet it is just enough to satisfy action junkies.
The Salesman is the latest by renowned filmmaker Asghar Farhadi, succeeding as both a political thriller and a tightly-knit character drama.
With finely tuned performances, The Man With Four Legs is also a visual treat, working within a genre that is often difficult to define.
Billy Lynn’s Long Halftime Walk is atypical for Ang Lee; though the visuals are impressive, the film surrounding it fails to have an impact.
The Last Laugh is a profound documentary that somehow warmly weighs the need for laughter with the immense tragedy that was the Holocaust.
Gold features a flashy performance by Matthew McConaughey, yet the remainder of the film surrounding him fails to impress.
The Comedian boasts a few laughs and a fine performance by Robert De Niro, but the remainder of the film is a rather listless venture.
We’ve put together a list of the best documentaries of 2016 – a tough task as the quality of documentaries was high throughout the year!
Ricky Gervais’ feature length outing for his most beloved character is one of the most emotionally poignant comedies in recent memory.
You’re Killing Me Susana doesn’t adhere to almost any of the rom-com genre’s stereotypes, yet its static characters cause it to stumble.
West Virginia has suddenly become the subject of intense scrutiny. The denizens of the state could well be forgiven for wondering where the mass media and political class were before the 2016 presidential primaries and election turned West Virginia into an unlikely bellweather for the appeal of Donald Trump’s populist rhetoric. Trump’s hardhat-donning ‘Trump Digs Coal’ campaign delivered him the state by a resounding 68.
Live by Night is the next directorial effort from Ben Affleck, in which he also stars/writes/produces; it is another indicator of his talent.
Road to the Well has redeeming qualities, including fine acting and cinematography, yet it falls short of greatness from its lacking story.