2016
Sometimes, Forever is a stylish, incisive look at teenage sexuality, and though it’s set in the ’90s, it does much to speak to our own time.
The Other Ripken is a short but sweet documentary about Billy Ripken, a little-known baseball player who played for the Baltimore Orioles.
At times brimming with invention and at other moments leaving you confused as to who this is for, Nine Lives doesn’t fully deliver.
Though inspired by the erotic thrillers of the ’90s, Bad Girl ultimately fails to do anything original or exciting with its material.
It’s no fun to criticise an aspiring filmmaker’s low budget passion project- but when the result is as misguided as Quarries, it’s necessary.
Aquarius is a powerful character study about a woman fighting back against vulnerabilities, anchored by a fine performance from Sônia Braga.
Salt and Fire is an alluringly ambiguous environmental thriller by Werner Herzog, featuring purposefully stilted and brilliant performances.
American Fable doesn’t quite strike all the right chords, lacking just one spark that might have turned this movie into a lasting cult classic.
God Knows Where I Am lacks the necessary energy, yet successfully tackles the issues of freedom and the unnecessary loss of life.
For a story we’ve seen over and over, Mean Dreams, Bill Paxton’s last film, is compelling, refusing to take the usual narrative routes.
Don’t Kill It is a throwback to 1980s horror, in addition to updating some of the rather outdated tropes found in those types of films.
The Freedom to Marry is a compelling, expertly-made documentary about the landmark case that finally provided everyone the right to marriage.
Based on the real-life case, Johnny Frank Garrett’s Last Word is unfortunately a waste of its material, with many overused horror tropes.
Though with an unimaginative score, Akron effectively tells a story about two gay men who meet and fall in love in Midwestern America.
Collide is a film that has talent in front of the camera, but they’re wasted through strings of mindless action and laughably poor dialogue.