2016
Paint it Black is an impressive debut from director Amber Tamblyn, with strong performances shining brighter than the visual quirks.
The Big Boys’ Playground by Guillaume Lion paints rock climbing as a finely detailed, balanced, and makes the sport that more intriguing.
Although the idea of reimagining Pride & Prejudice with a same-sex couple, Before The Fall lacks the fiery spirit of the source material.
Chuck is the story of boxing legend Chuck Wepner, yet never quite manages to match the outsized metaphoric grandeur of the film it inspired.
People is a profoundly packed indie, with the intricacies of the human condition and relationships manifesting into a well-realized film.
Hope Dickson Leach’s debut The Levelling is a familiar story of grief, told with an emotional incisiveness by brand new talent, and reminds us the British film industry is alive and well.
Brace yourselves, for Australian horror Hounds Of Love is the most terrifying torture porn film since the genre’s inception.
In the Shadow of Iris has inklings of greatness, but it suffers from a muddled plot and some questionable casting and production choices.
Bad Rap documents the hard time Asian Americans have getting into the American hip hop scene, but should’ve offered a deeper exploration.
A remake of the Ealing classic, Whisky Galore! has its share of laughs, but its hard to tell just who or for what purpose the film serves.
Starring Jessica Chastain in one of her best recent roles, Miss Sloane is a triumphant political thriller that only occasionally falters.
About an aspiring actress in Iraq, Dream City weaves together both political and personal prospects to capture an immersive slice of life.
An open mind and a willing heart are needed to appreciate Slack Bay’s zaniness; it’s a lot of fun when the initial peculiarities settle.