2016
While by no means without its faults, The Midnight Man, from director Travis Zariwny, is a good time horror film that fans of the genre will love.
In This Corner of the World is a beautifully captured and quietly tragic animation, which succeeds due to how it captures the sadness underneath the mundanity of life in a war-torn country.
Though occasionally unsurprising, Better Watch out is a strong alternative to the regular holiday viewing because of the nasty genre thrills it delivers whilst being wickedly funny.
Heavily reminiscent of Michael Haneke’s Funny Games, Chameleon boasts three great performances – but still leaves a sour aftertaste.
Chilean film Chameleon depicts horrific sexual abuse of women, and doesn’t do enough to redeem itself; it is nothing but exploitative.
Running in at just 15 minutes, Penalty’s unique style of cinematography and editing make it a powerful piece of cinema.
In this in-depth analysis of Julia Ducournau’s Raw, Sophia touches on themes of sexuality, biblical references, and BDSM, among others.
Expertly performed by the dynamic duo of Rooney Mara and Ben Mendelsohn, Una proves to be a searing – though discomfiting – watch.
War Dogs is a hyper-masculine film that, offensively but not surprisingly, uses its main female character simply as a plot device.
In response to Mexico’s sexual conservatism, director Amat Escalante cooked up The Untamed, a film which has to be seen to be believed.
By the Time it Gets Dark is a cinematic classic that will beg to be watched, decided and marvelled at, time and time again.
Second Nature is a feel good goofy date night comedy that takes a poke at gender roles and has a fun cast of characters running the show.
Cinema Novo is an impressionistic documentary about the classic Brazilian movie genre. It’s beautiful, but is too hard to grasp for newcomers.