2016
There is a deep love that carries through the devastation, Train to Busan delivers what movies are all about.
The themes of “Fleabag” are heavily supported by the visuals, particularly emphasizing the undertones and tonal shifts between seasons one and two.
Despite positive feedback from the press, The Nice Guys went overlooked by the public, sadly tanking at the box office. It’s time to fix that problem.
Unpredictable and unapologetically violent, Terrifier may seem like a B-horror, but it is far from it.
Hidden Kisses is a well-acted and well-crafted movie, but it still feels a bit overdramatic given the year of its release.
In the latest installment of Queerly Ever After, we take a look at 2016’s Fair Haven, a well-acted conversion therapy drama.
If you need a new holiday staple to fill your cinephile holiday binge, look no further than Better Watch Out.
Film Title Poem, a 67-minute experimental traversal of film history, both canonical and personal, entirely by way of title cards.
If there’s anyone who can turn something mundane into something magical, it’s director and writer…
A deeper look at the final moments of Moonlight and A Portrait of A Lady on Fire lead to a profound philosophy of acceptance applicable to everyday life.
We take a look at three of South Korean filmmaker Hong Sang-soo’s films: Woman on the Beach, Hill of Freedom and Yourself and Yours.
Die Beautiful offers a refreshing and invigorating perspective on life and death; the culmination of human experience tucked in a casket.
The Journey Is the Destination is vibrant, violent, and sad, but it celebrates Dan Eldon’s exceptional life well.
Audiences are well-endowed with a suspension of disbelief, and we deserve nostalgic, beautiful, happy stories Like The Handmaiden.
As much as Yang Chao’s film Crosscurrent has the look of a beautiful mystery, its quietness remains quiet and unnoticed and doesn’t manage to lead anywhere.