2010s
Much like a drive along Australia’s expansive coastal roads, Just Between Us is a breezy, casual ride that doubles as a nice nature documentary on the sunny side of Australia.
2013 coming of age comedy drama The Way Way Back is made for summer. It’s light, funny and full of life, while still managing to be poignant.
First, you’ll laugh at nonsensical crime thriller Hangman – and then, you’ll grow annoyed that this actually got made over better projects.
A fun-filled flick with an all-star cast of charismatic ladies having a blast; Ocean’s 8 is a stylish follow-up that captures the spirit of the original trilogy while still doing its own thing.
Whilst not always smoothly or coherently told through the performances and screenplay, Susu is a slightly confused movie with a distinct point to make.
An exhausting watch, Racer and the Jailbird never figures out which direction it wants to go in, never forging a true sense of character.
Certainly a crowd pleaser, Zoo is light and easy, yet lacks a certain depth for its subject matter, despite its talented cast, that will leave you wanting more.
Incredibles 2 is a fast-moving, heartfelt, gorgeous, well-acted, tightly-plotted, and funny movie that left the need for another sequel, which will hopefully be released sooner than 2032.
Rooted by clever dialogue and personable actresses, Dick Sisters is an endearingly quirky short film.
Far from running out of steam as the the silver screen’s likable misfit of the 2000s, Action Point shows the veteran stuntman and actor Johnny Knoxville at the top of his game.
Doubtful proves to be an intelligent, intimate, and potent first feature for Israelian director Eliran Elya.
Despite the wickedly talented cast and the generous dash of futuristic flair, Hotel Artemis disappoints with its rushed storytelling to an overabundance of thinly written characters.
As the 2018 World Cup quickly approaches, The Workers Cup serves as an uncomfortable reminder of the humanity behind one of the world’s most beloved sporting spectacles.
With Jeune Femme, writer/director Léonor Sérraille has captured a painfully realistic story – with an unforgettable performance at the centre.
Despite its ambition and occasional impressive visual flourish, Monochrome is wrecked by its slow pace, poor writing and dull, unconvincing characters.