2010s
Can we work together to find a solution? It’s a reality that needs further acknowledgement, and It Will Be Chaos does an admirable job of giving us perspective and bare-boned stories of resilience and courage.
With no clever jokes and not enough scares to build any real suspense or fear, The Night of the Virgin falls flat.
Musanna Ahmed attended this year’s Sheffield Doc/Fest and shares his interview with Inka Achté, director of documentary Boys Who Like Girls.
During its best moments, Set It Up slaps a goofy smile on your face while delivering simple comedic pleasures and worth the watch for Deutch and Powell alone.
Leave No Trace is Debra Granik’s first fiction feature in eight years, and proves that she is one of the social realist filmmakers most urgently needed in cinema right now.
Musanna Ahmed reviews Too Beautiful: Our Right to Fight and spoke with director Maceo Frost and star Namibia Flores Rodriguez.
Satisfying fans and welcoming new ones, King Cohen has a nice balance making sure the forgotten, outlandish missteps of Larry King are remembered as much time as his mainstream successes.
While fairytale romances feature in tons of Bollywood films, Lust Stories gives insight into the modern Indian woman and the role she plays.
Ali’s Wedding is an unabashed presentation of a Muslim love story that feels both brave and necessary.
Hover is an expertly crafted horror film focusing on a future almost too close to home. Cleopatra Coleman stands out for her remarkable performance and wonderfully crafted and memorable script.
Despite promise and an interesting concept, Zen Dog in anything but unique disintegrating into a series of indie tropes.
Elena Miliaresis’ documentary While Time Stands Still tells the story of the hardships of military families – Laurie Agard considers the psychological aspects.
Hearts Beat Loud rings emotionally true, and is heartwarming in its portrayal of youth, old age and perfect pop music.
Musanna Ahmed attended this year’s Sheffield Doc/Fest and shares his review for A Northern Soul and his interview with director Sean McAllister.
Despite a strong cast and scattered moments of inspiration, Superfly is sorely lacking in consistency on both a visual and narrative level.