2010s
The first hour of Sharp Objects thrillingly lays the foundations for a series already digging its claws into anything that moves, in one of the strongest season premieres of the television year to date.
Boom For Real is an eye-opening look at how one unique artist was molded and inspired by the time and place in which he lived.
The Year of Spectacular Men might spin its wheels and veer off course, but there’s still some fun to be had by these spectacular women.
Sicario: Day of the Soldado is an empty shell of a flick, one that tries to emulate the success of the first but lacks all the components that made it so brilliant.
By showing Cecil Beaton the respect he deserves, while also not shying away from the less pleasant sides of his personality, Love, Cecil is a perfect tribute to all of the contrasting sides of this multifaceted, multi-talented artist.
Hard to comprehend, The Icarus Line Must Die has a strange dream-like atmosphere that seemingly evades definition.
Eighth Grade is the messiness of the teenage experience confidently articulated by a first time filmmaker with an innately humanist streak.
Certainly not perfect but a very interesting watch, Cash’s debut feature film is a well-executed musing on family, sexuality, and the Electra Complex.
Brother’s Nest is a return to form for Shane and Clayton Jacobson, their comic noir feeling like an Australian Hitchc*ck film.
Lost Warrior dares to challenge viewers on ideas of rehabilitation and forgiveness through its compelling case study of a young family separated by a cultural identity crisis.
Despite a strong beginning and strong performances, Siberia is ultimately a confounding mess of genres and tone.
The Devil’s Doorway is effective up to a certain point, but ultimately it squanders all of the potential set up in its first act in lieu of a very by-the-numbers found footage horror.
What We Started is not a just documentary about the history of Electronic Dance Music but a metaphor of how the past has shaped the future.
Swimming with Men is a wasted opportunity for what could have been an effective character comedy in the same vein as The Full Monty.
The second season of GLOW is equal in emotional intensity to the first – reuniting its original cast and introducing some new members.