2010s
Filled to the brim with a talented cast and with wonderful dance sequences, Mamma Mia! Here We Go Again is as lovely and vivacious as the original.
Skyscraper is the perfect model of an uninspired action film: a mediocre idea saddled with mediocre characters and mediocre action.
You don’t have to be Japanese or a country and western music aficionado to cheer on Tomiko Fujiyama, the subject of documentary Made in Japan.
Liz and the Blue Bird is an indepth and stylistic chracter study that explores the details and hidden emotional gravity of seemingly unremarkable situations.
Xavier Gens’ science fiction fantasy Cold Skin is a hotbed of promising concepts. The problem is, it doesn’t know what to do with them.
Path of Blood peels back the black masks and gives us a visceral and frightful look at terrorism. We were also able to speak with the film’s director, Jonathan Hacker.
Fireworks is both stunningly animated, and stunningly disappointing, hampered by a predictable love story that is neither compelling or insightful.
With a crowd-pleasing setup, hilarious performances and a much-needed sense of simplicity, Uncle Drew delivers in an unexpected and hilarious way. %
1985 is a miracle of a film, one that pays tribute to an era, a generation past, and a culture that fueled the progress of LGBTQ civil rights for decades to come.
A Prayer Before Dawn boasts a fantastic central performance from Joe Cole, but unfortunately, wastes an astonishing true story in favour of genre cliches.
As a first-time feature for writer/director Stephan Littger, Her Composition is ambitious and full of earnest affectivity.
The Legacy of a Whitetail Deer Hunter is undeniably a missed opportunity, a film that nails a certain tone and feel without putting all the pieces together.
Ulam leaves your mouth watering for the vibrant flavors but most of all a longing to experience the lively spirit that exists within the Filipino community.