2010s
My Erotic Body shows that a woman’s true erotic self is not defined by a specific body type, age, or what society deems as attractive.
The Equalizer 2 takes the raw entertainment value of the original film, inverts it into something unflinchingly brutal, removes the quirks of its main character, and builds to an anticlimactic final battle.
Nico, 1988 from director Susanna Nicchiarelli respectfully marks the 30th anniversary of the late singer’s death while attempting to restore a little of her legacy.
Unfriended: Dark Web shows that by tapping into modern communication, it’s possible to create a new cinematic language for the slasher sub-genre.
Mission: Impossible – Fallout finds Tom Cruise once again flying through action setpieces for our amusement; it is more than worth the ride.
Perhaps it’s due to the burden of excited expectations, but ultimately the sum that is Generation Wealth is never able to surpass its 25 years of parts.
%%excerpt%% The Insufferable Groo is an endearing and often funny profile of an amateur filmmaker who’s equally inspiring as he is narcissistic.
Airing the first three episodes at once, we’re able to get a good grasp on Castle Rock’s core tale, without fully knowing the depths of this thrilling new series by creators Sam Shaw and Dustin Thomason.
Puzzle takes us along the creation, through each piece, discarding those that don’t belong, and finding a colorful compromise.
We fictionally watched Skyscraper with Dwayne Johnson and his celebrity friends and tried to give him constructive feedback…
Shot over three years, Miao Wang’s Maineland depicts the cultural struggles of students arriving from China to study in Maine.
While the premise is nothing new, Calibre’s approach to it is rather refreshing – it’s a confident thriller that constructs tension effectively.
The Captain is the kind of project that suffers from an identity crisis, never deciding what it wants to say or how seriously it should take itself.
These first two episodes of season two of Trial & Error capture everything wonderful about season one, while exploring new comedic directions.
With Support the Girls, Andrew Bujalski continues to grow as a filmmaker, creating a film where the genuine heart afforded to its characters doesn’t compromise the pragmatism of the worldview.