2010s
Dusty & Me is a greyhound leap ahead of similar films that have come before but as dog tales go it can’t quite keep the company of classic animal epics – it’s not quite that memorable.
With a distinctly nineties feel, An L.A. Minute is surreal and thought-provoking, even in its imperfect moments.
If what you’re after is a mainstream horror film with scares that come thick and fast, save your money and skip Slender Man.
Boarding School follows in suit with the continued reinvigoration of the horror genre, breaking away from the cliché and introducing new scares.
The Little Stranger is a demanding but absorbing thriller – it will not spoon feed you scares, and it’s all the better for it.
Blue Iguana is a fun throwback to 80’s action crime movies, aided by fantastic performances and a punchy script.
Five Fingers for Marseilles is sporadically entertaining while watching, but devoid of the food for thought a film with this subject matter urgently needs.
Instead of living up to its Godard and Whedon-esque aspirations, Blood Fest shoots itself in the foot, delivering cliche after cliche in a formulaic, hopelessly grating package.
Team WahlBerg’s latest effort Mile 22 is abysmal, wasting the talents of all parties involved for a schlocky, aggressive shoot ‘em up picture.
Don Hertzfeldt’s 2012 animation is an authentic depiction of depression, mental illness and mankind’s relationship with the universe.
With its dedicated cast, some awe-inspiring cinematography, and a gripping survival story at its center, Alpha is a far better film than one would expect to find.
The Forest of the Lost Souls is an impressive debut that will find its audience in those filmgoers who appreciate cinematic genre fusion.
The Festival can’t get out of the shadow of The Inbetweeners, but it’s well worth a watch for all fans of the series.