2010s
The unbelieveable true story of Shirkers offers a bittersweet end to a decades long saga in the life of independent filmmaker Sandi Tan.
The life story of activist Nadia Murad is told in On Her Shoulders with a lack of sensationalism, focusing more on her cause than the tragedy.
Was The Grinch necessary? Absolutely not. Sure, there’s some filler. Sure, there’s some cringe. But the quantity of them was not enough to impinge.
“Demons of the Punjab” takes us on a trip down a secret memory lane, as Yaz uncovers her grandmother’s hidden past, and the Doctor comes up against some assassin alien invaders.
In the spring of 2016, Embrace of the Serpent, “[Y]oung people, when they see this…
Transformer tells a touching story of the human spirit so moving, it’ll feel like a weight off your own shoulders while watching.
Overlord is exactly what you would want and expect a movie about zombies created by Nazis to be: a deranged, disgusting delight.
Unfortunately, despite Origin’s good intentions and mysterious manner, it’s simply too derivative and absent of any originality to really recommend an immediate watch.
If you don’t care about Orson Welles, The Other Side of the Winf does not stand up well enough on its own to be worth your time.
Jinn is a colorful portrait of the complexities in life, love and religion that succeeds as a character study far more than as a plot-driven story.
Outlaw King is ambitious, striving for originality and historical accuracy, but overall fails to bring much to the table in terms of grounding its characters.
With Slaughterhouse Rulez, it seems Simon Pegg and Nick Frost haven’t quite let go of the comedy/horror genre, only this time with a different director and with uneven results.
Much like the characters of Prospect, Christopher Caldwell and Zeek Earl are pioneers, creating a film that feels like the origin of something new.
Given its clear desire to say something urgent about urgent things – given, that is, its sincerity – it’s hard to completely dismiss Reach.