2010s
Swiped is a satire that misses the mark, and comes across as a rather dated look at relationships and the differences between men and women.
Adam McKay’s Vice is at its best when it mixes information with entertainment and leaves out all of the preaching.
Between Worlds has potential in its more surreal moments, but it never utilizes the tension and conflict that could come from this story.
Even the creative use of an iconic object of terror doesn’t help to elevate Scarecrows above any other generic slasher.
“It Takes You Away” takes us to another foreign land, where the story is at times weak, but the script is always punchy and progressive, with unexpected twists, moths, and frogs throughout.
As a stylistic achievement of world-building, the animated saga Spider-Man: Into The Spider-Verse is just bursting at the seams with an infectious energy that can barely be contained by a single film.
Elliot the Littlest Reindeer may distract a two year old for a couple of hours, but it’s definitely not a Christmas movie for the whole family to enjoy.
Mortal Engines clearly understands its source material, which makes for a fantastic first act, but has trouble successfully adapting it, resulting in the rest of the film being lackluster.
Mary Poppins Returns is the uninspired cash-in Disney have become synonymous with, posessing none of the endearing strangeness of the 1964 original.
A mostly forgettable endeavor, The Possession of Hannah Grace is a misfire and a reminder of just what happens when you take a similar concept and do it better.
Bob Lazar: Area 51 & Flying Saucers takes for face value the fact that UFOs exist is the least of its problems – the poor quality of filming and story do far more damage at derailing the narrative.
For those in love with the Archie comics, the original Sabrina and Riverdale, Chilling Adventures of Sabrina is sure to please, with its reimagining providing a little something for everyone.
Trust Machine: The Story of Blockchain from director Alex Winter is a ride worth taking and asking how will you imagine the world.