2010s
The Amityville Murders is a film that should be avoided at all costs. It doesn’t succeed as a horror film, nor as a supernatural thriller.
By not taking itself too seriously, DC’s Doom Patrol creates a whimsical world of super-heroics that is both fun to watch and easily digestible.
If you looked past the gaping plot holes and equally detestable jump-scares, there is a scare or two to be had in The Prodigy.
Happy Death Day 2U is like watching a million ideas hit the screen at the same time, progressively moving itself to shakier ground before losing any sense of narrative necessity.
The Golem is closer to a moody thriller than a horror – and although thematically interesting, still lacks the bite it sorely needs.
Many will enjoy watching Gina Rodriguez in a silky red dress armed with an AR-15 – she hits what she is aiming at, but Miss Bala misses its mark.
If you’re searching for a romantic comedy that focuses more on the muddy journey versus a mirage of perfection, Untogether might be the one for you.
Besides some noteworthy acton sequences, Alita: Battle Angel is otherwise a disappointing affair, even moreso given James Cameron’s involvement.
Mektoub My Love is one of the most self indulgent films in recent memory, with the threat of a sequel likely to kill off the director’s career altogether.
The Kid Who Would Be King is a surprisingly epic and spirited film, driven by an adventurous spirit and enough clever fun to keep things fresh during a sometimes long-winded ride.
Michael Franti’s Stay Human is an inspiring documentary of pure positivity and something worth recommending to everybody right now.
The most surprising thing about High Flying Bird is how it takes a niche and seemingly uninteresting topic and finds a message of social importance within.
Cold Pursuit is a rare English-language remake that actually works; a solid genre entry that knows what it wants to do, and does it damn well.