2010s
A movie mirror-image to last year’s First Reformed, Woman at War is a strikingly beautiful story of one woman’s desire to do good.
We were able to talk with Yen Tan, writer and director of the 1980s-set drama about AIDs called 1985.
Films about serious illness have a tightrope to walk, to find the right balance for…
With a strikingly effective energy of both heart and strident bitterness, Cat Sticks like the disease of addiction itself is conveyed in a wise and endearing manner.
Fighting With My Family is a lovely little British gem and while it’s not perfect, Merchant shows admirable potential as a director.
1 Billion Orgasms feels like the behind-the-scenes footage that is supposed to accompany the feature presentation.
Under the Eiffel Tower just doesn’t have the spirit that a rom-com needs, feeling like a first draft that should have never seen the light of day.
Isn’t It Romantic is not a game-changer in the romantic comedy sub-genre, but it’s a proud statement by Wilson that everyone should get behind.
Wrestle relies entirely on familiar story beats and its subject matter, shining in individual moments but not adding up to a satisfying whole.
Holiday will linger with you long after the credits roll, forcing you to acknowledge the ways in which you are complicit with the behavior of its characters.
A mature, eerie, and effective coming-of-age story, The Changeover is a definite standout when it comes to young adult films.
Lady Bird is one of the best modern coming of age stories, but the greatness likely stems from the small scenes many audiences might miss.
Like Ocean’s Eight before it, What Men Want is proof that it takes more than genderswapping to make something old new again.
Some may preemptively dismiss Gully Boy as a rip-off of 8 Mile but there’s far more here than just another underdog hip-hop story.
The Umbrella Academy is an exciting and free-spirited edition to Netflix’s catalog of binge-able TV series.