2010s
Plus One is a perfectly serviceable and adequate romantic comedy; it has moments that charm and promising performances.
Where Toy Story found something deeply moving in a tale of toys, UglyDolls comes crashing down with all the moral engagement of a 1980s animated PSA.
Starfish’s reach might ultimately exceed its grasp, yet the film still succeeds as an immersive, stunningly crafted apocalyptic sci-fi.
Hail, Satan? neatly fits in with a series of recent documentaries that do little more than preach to the liberal choir.
Knock Down The House highlights four political pioneers, and provides an intriguing snapshot of post-2016 election America.
The idea of a future where women are valued only for their ability to repopulate doesn’t seem far-fetched today, giving Only an undercurrent of terror.
About a Donkey embraces its identity, and allows its viewers to grasp this, but also infuses their own personal experiences within these character’s journeys.
Tribeca… I’m back! There was an immediate sensation of home in the streets of NY…
A film that is laced with pride and hope without the frilly details of any other sports film, The Grizzlies is all about grit, raw and tender moments of belonging and the strength to continue on.
Booksmart isn’t just a hilarious high school movie; it serves as a necessary reminder to rethink our initial judgments of people and actually try to get to know them instead.
Screening at this year’s Tribeca Film Festival as part of the U.S. Narrative Competition, Blow…
While it’s plot is relatively flimsy, American Woman thrives on the basis of its powerful performances, particularly those from Hong Chau and Sarah Gadon.
The tension between musical and war drama at times overwhelms the picture – but god, even when it’s a failure, Swing Kids is entertaining as hell.
Whether a gift from God or the vitality of technological advancements, Amazing Grace is a gift of cinematic resurrection brings back Aretha in all her glory.
Be Natural: The Untold Story of Alice Guy-Blaché does a great service in making sure that we never again forget about Guy-Blaché’s contributions to film history.