2010s
Diego Maradona is another triumph for Asif Kapadia, offering something richer than the standard sports documentary.
With such an interesting true story to draw from, it’s a real shame that The Child Remains is so underwhelming.
Once Aurora is breezy, raw and evocative, an often surprising visual close-up of a young artist moulding her career against the mainstream methods of pop success.
Late Night is a funny and witty film, that boasts a stellar cast, brilliant performances and and even better writing.
Stop motion animation has gleefully seen a resurgence in recent years with films the likes…
Despite the mediocrity in storytelling, with the rapport of the leads, it’s hard not to cheer for Always Be My Maybe.
Yes, it’s a dark crime drama – but The Gangster, The Cop, The Devil is more mainstream friendly than most South Korean thrillers.
The Last Black Man In San Francisco is a deeply moving film, and probably the best film with San Francisco as its backdrop.
While Aladdin is a fairly harmless film, it adds very little to the original and seems like just another cash grab from Disney.
While director Xavier Dolan and the film’s characters say goodbye to their twenties, Matthias et Maxime itself leaves much to be desired.
At its heart, The Russian Five is a sports story, but you don’t have to be a hockey fan to appreciate its impact.
Dark Suns is utterly vital and haunting, chronicling a staggering history of crime and injustice that needs urgent attention from any higher-up with a conscience.
Creator Victor Fresco’s Santa Clarita Diet still remains intoxicatingly glutinous and ever so delightful with its gimmicky prowess.
Tater Tot & Patton doesn’t play by those rules. Instead, we are given an odd, slow burn with endearing performances and a lesson to be learned.
Deadwood: The Movie is a remarkable achievement, bringing us back to the town and characters we love and providing what we needed all this time: closure.