2010s
While not as subversive as Holland’s cult classic, Klevberg’s polished Child’s Play is a delightfully vicious ode to its campy origins.
Heady problems My Days of Mercy’s characters through the wringer, but the clarity with which they are captured makes the difficult journey more poignant.
Only You flips our expectations of a whirlwind cinematic romance to offer a painfully realistic look at the struggle to start a family.
Leto finds a balance between the reality of early rock under a communist regime and the fantasy rockers imagined.
Anna just isn’t quite the fun thrill ride that one might have hoped for, suffering from a disorganized plot, characters devoid of personality, and less-than-stellar action.
Barbara Rubin and the Exploding NY Underground hooks viewers when it vies into a thrilling character study of a multifaceted, increasingly conflicted individual.
Annabelle Comes Home features great performances from its young cast, but the story is more a miss than a hit. Kevin Lee reviews.
Summer Night is a perfectly sweet film about the hot, hazy nights we’ve all had and can look back to with adoration and nostalgia.
The Oscar-nominated Never Look Away shows signs of promise, but is let down by an epic scale that is never justified. Alistair Ryder reviews.
Kursk is an emotional drama based on real events. Thomas Vinterberg shines a light on the tragedy from within the sea and from the land.
The Dead Don’t Die was a huge disappointment with too many plotlines and characters for both the dead and undead to handle.
Despite a couple of fun, breezy jokes, For Love or Money’s the narrative is neither fresh nor funny enough to be a hit with the romantic comedy crowd.
We have come to the end of the line for the first season of The…
Whether you’re an avid theatre-goer, an actor, or someone who enjoys dark comedies, there will be something enjoyable in Ghost Light.
A beautifully poignant piece, Princess Cyd is a breezy treatment of sexuality, spirituality and women’s relationships in lieu of drama for drama’s sake.