2010s
There is no doubt that Cajun Navy is an important documentary, highlighting the efforts of ordinary people who strive to make a difference, and encourage everyone else to do so.
Queer Eye continues to focus on self-care and embracing change, reminding its participants and audiences about the importance of acceptance of oneself and of others.
This Changes Everything is a documentary directed by Tom Donahue that examines and reflects upon the gender disparity within the entertainment industry.
It was kind of odd coming of age in the early 2010’s and seeing these ultra-fantastic teen stories, yet Palo Alto proved to be in a league all its own.
Blinded by the Light is a fabulous ode to the power of music, and how our favourite artists come to define our lives.
Upheld by two zestful leads, and polished production design, Lying and Stealing is almost the real thing, but oversells its value.
Despite the dwindling ending, Sword of Trust still manages please us with delightful and memorable performances from a talented cast.
Overlong, overblown, and painfully unfunny at times, Hobbs & Shaw is a misguided endeavor that struggles to offer a sense of fun.
Palm Beach lacks a sense of purpose – that despite it brimming with a number of winning personalities, its just a shame that the film they’re in lacks one itself.
Despite enormous potential, Supervized misses the mark and makes fun of its subjects instead of making something memorable. Adam Mock reviews.
Luce is a fascinating and thrilling study of gender, race and identity with compelling performances from the cast. Brent Goldman reviews.
Stuck is a fun comedy about a woman trying to do good but getting side-tracked by her habits and her past.
Delirium is interesting enough to warrant our attention, but ultimately the route to the big “reveal” veers off course.
Ash Is Purest White is a masterpiece of time and alienation. Aaron Berry examines the ways time affects the characters.