2010s
The latest film from writer-director Anne Fontaine is a new take on an old legend: that of Snow White and the Seven Dwarfs.
While it might feel out of touch with reality, it’s in the more personal aspects of his story that it manages to keep itself from falling off the deep end.
J.C. Calciano’s Is It Just Me? is a gay romantic-comedy of chat rooms, miscommunication and false identity.
Ena Sendijarević’s Take Me Somewhere Nice is a movie most cinema-goers have probably seen before, at least in pieces.
Looking at the legacy of Gorō Miyazaki’s best film, From Up On Poppy Hill, which was written by his father, the legendary Hayao Miyazaki.
Externo is a definite recommendation for those searching for something out of the ordinary in terms of storytelling and high concept.
The debut feature from Saudi Arabian filmmaker Shahad Ameen, Scales weaponizes repressed femininity in the…
For this Queerly Ever After, we take a look at the 2012 film Morgan.
While Petrunya herself is certainly a figure worthy of veneration, the film doesn’t quite live up to her character.
Funhouse wants to be seen as a clever take-down of violence and reality television but does not quite hit the mark in either area.
In the latest installment of Queerly Ever After, we take a look at 2016’s Fair Haven, a well-acted conversion therapy drama.
Grímur Hákonarson’s The County follows an Icelandic widowed farmer as she fights beauracratic corruption and injustice.
In the latest installment of Queerly Ever After, we take a look at 2013’s Five Dances, a film about two men who find love in a dance studio.
Karl Holt’s Benny Loves You is a madcap feature debut that toys with a man-child’s inability to let go of childhood.
While lavish historical dramas laden with European accents are increasingly out of vogue with moviegoers, Queen Marie isn’t without its charms.