2010s
Unfortunately, Tall Girl takes the typical high school movie beats and fails to do much with them.
Pietro Marcello’s soaring melodrama, Martin Eden, is a sinking portrait of an unravelling autodidact writer in Naples—tragic and beautiful all the same.
Ne Zha might not be the best animated film of the year, but China is getting awfully close in competing against Hollywood’s animated offerings.
Come for the car races in Ford v Ferrari, and some fine performances by Matt Damon and Christian Bale, but don’t expect to take too much away from it.
Joker, although clearly a different approach to comic book movies than in the past, just doesn’t feel like a fully developed film.
The inspirational story of a teacher reaching his or her students to help them succeed…
A letter to love each other by looking to the past through the eyes of a child, Jojo Rabbit is as ridiculous and audacious as it is sweet and charming.
Knives Out will appeal to fans of the detective mystery genre, fans of the astounding cast, or those who love Johnson’s subversively entertaining films.
Hustlers won’t be loved by everybody, but as both entertainment and an addition to the world of crime cinema, it’s an exceptional work.
The Harvesters is a film with uncomfortable weight, one that slowly but surely crushes you in the way any society presses on those who don’t fit in.
Much like Gallagher himself these days, Liam: As it Was is a tided up version of the rock-and-roll star’s story.
Freaks is a paranoid little picture, using its influences wisely while manufacturing something distinctive: one of the best Sci-fi’s of the year.
The Giverny Document demands attention, and even if the attention it does receive ends up in the limited availability of a museum, the format cannot be more appropriate.
Guest of Honour ultimately feels like a missed opportunity for both an intriguing character study on grief, and a compelling drama.
Waves is an exquisitely crafted piece of art that solidifies Shults as a force to be reckoned with.