2010s
Though executed gracefully, Bored in the U.S.A.’s characters lack the chemistry needed to have us stay invested in their journey.
Between Two Ferns: The Movie is a unique type of performance with unique humour crafts a unique type of film.
In this delightfully strange suburban comedy by sketch veterans Jocelyn DeBoer and Dawn Luebbe, adults…
Philophobia is a film where words are meant to have stories unto their own with connotations and nuggets of meaning buried within.
Ever since its Palme d’Or winning debut at Cannes, Parasite has been accumulating buzz like…
After the Wedding wants nothing more than to be a tearjerker, but the emotions run cold and the twists are all for show.
The Day Shall Come really comes close to approaching greatness, so it’s even more of a shame that it sputters as it reaches the home stretch.
if Abominable is any indication that Dreamworks is eager to reinvent their brand, bright things could be ahead for this powerhouse studio.
Gemini Man smears a lot of fancy tech all over an empty and tiresome thriller.
My Zoe goes beyond expectations by delving into the emotional ruins of conflicting morality with such perfection, and proves Julie Delpy to be a truly remarkable filmmaker.
A coming-of-age film which strives for irreverent authenticity, Our Ladies ends up clunky, a little cringey and uninspired.
With a return to its roots, AHS 1984 is stronger than it has been in a long time, delivering the horror and the entertainment of genre films of the past.
Not only does White Riot present a compelling case of why the fight against racism isn’t over, it makes you want to join in.
The remake of Jacob’s Ladder is a simplistic but overly convoluted horror with no thrills and spills.
Velocipaster would have worked better as a short film. As is, it pulls itself into too many directions with random plot lines.