2010s
Though More Beautiful For Having Been Broken suffers due to its execution of these significant ideas, it has heart and potential behind it.
Stylish, savage and supremely funny, First Love is the shock of adrenaline the action genre needs and deserves.
Maleficent: Mistress of Magic is a movie that feels at war with itself, but when the right side breaks through, it can be something beautiful, like the film that came before.
By relying on the best possible ambassadors to convey its message, In Search of Greatness provides an intriguing and inspiring look at sporting excellence.
Lucy in the Sky is an absolute flatline, dragging to an anticlimactic ending. Noah Hawley might do best to stay in television.
While it isn’t a terribly exciting conclusion to a richly-textured saga, it’s the little moments along the way that make El Camino a heartfelt final chapter in a great character’s story.
Arrow has kicked off its final season with a mostly entertaining and emotionally engaging episode.
While initally an intense thriller, The Informer buckles with an insuffiently used cast and material to provide for good impression.
Emanuel digs knee-deep into the prevalence of racist violence reaching yet another horrible conclusion with the acts committed against the Charleston 9 that fateful day in 2015.
By the Grace of God is flawed, but undeniably powerful. It definitely needs to be regarded as more than just the “French Spotlight”.
As a true crime miniseries, Unbelievable does well in telling the womens’ side of things, depicting their trauma, and how they are forced to relive the horrific events over and over.
While not challenging, The Parts You Lose is a thoughtful if not meager meditation on the relationships that define us.
As we approach the midseason, body count rising and with no escape, “True Killers” was proof that AHS 1984 is far from slowing down.
As poetic as its title, The Body Remembers When the World Broke Open cannot be understated for its power and must not be erased from the conversation.
Somewhere in the passable 90-minute In the Tall Grass is an hour long short that’s riveting, tense, and short enough to not overstay its welcome.