2010s
Birdboy: The Forgotten Children is a brilliant animated film with a haunting score, tragic themes, and an angsty coming-of-age plot.
Hidden Kisses is a well-acted and well-crafted movie, but it still feels a bit overdramatic given the year of its release.
Labyrinth of Cinema tells an empathetic and energetic story about the power of cinema to change the world — one that we would all do well to take in.
In this week’s Queerly Ever After, we take a look at 2011’s What Happens Next, a romantic comedy where the romance outpaces the comedy.
In the final entry of the No Time To Die Countdown, Jake Tropila takes a look back at Spectre, the fourth Bond film starring Daniel Craig.
The No Time To Die Countdown continues with a look back at Skyfall, the third film starring Daniel Craig as James Bond.
In this Queerly Ever After we visit the 2013, Pit Stop: a simple, slice-of-life story about two men coming together amidst the backdrop of their small town.
Queerly Ever After #60 focuses on Baldvin Zophoníasson’s Icelandic film Jitters, a teen drama filled with first crushes and tragic events.
American Sausage Standoff is a with a memorable visual style and strong performances, but the humor never takes centerstage.
A lo-fi narrative film that often feels like a documentary with its rambling dialogue and roving camera, Anne at 13,000 Ft soars.
With extremely long scenes, flat lighting, and a meandering story all come together to create this dull, Best Day Ever is a tired movie.
Criterion welcomes classics new and old to its collection this month with the addition of Beasts of No Nation, Afterlife and more!
Tatort: Streets of Berlin is a crime show with collaborative efforts across regional television studios in Germany, Switzerland, and Austria.
Barley even a movie, Longhorns is just terrible, lacking any redemption – and there really isn’t that much else to say.
Equal parts fantastic and frustrating, Ema soars sky-high but cannot maintain those heights over the course of the film.