2010s
If you have kids, don’t waste the time or the money, Arctic Dogs exists as an animated film that you should miss.
Boys takes a well-worn story of self-acceptance and turns it into a beautiful piece of internal struggle.
The short film Judas Collar poetically wields its message with an unspoken but clear affront to such violent practices, with beguiling results.
Terminator Dark Fate is a tentative move in the right direction for the series, acknowledging that the formula must be changed without fully pulling the rug out from under fans.
Black And Blue is a surprisingly engaging cop thriller; it has some stellar performances, confident direction, and a sharp story to boot.
Doctor Sleep may not be the most satisfying conclusion to both the book and film version of The Shining, yet it is still an engaging film in its own right.
With a better script and more action, Badland could have been a modern-day cowboy flick worth the near two hour run time.
Even in its short runtime, Red Letter Day disappoints by the sheer laziness of never pushing the screenplay to a possibly climactic finale.
On Becoming a God in Central Florida reminds us that even though money is one of the most fundamental things in this life, it can also be a very venomous dagger that distorts your worldview.
By this episode’s completion, we now know everyone is on the hunt for revenge and a bloodbath. Who will be victorious in the great clash of 1989? Only one way to find out.
Steven Soderbergh is back with The Laundromat, a splashy, star-studded look at the world of obscene wealth and financial wrong-doing.
The potential lingers over Adopt A Highway like a dark cloud, ready to pour some nuance onto what becomes a rather muddled first effort.
The Current War builds upon a solid narrative foundation by richly transporting the viewer to a pivotal and prescient time for humankind.
By the time 3 From Hell winds to its conclusion, the little voice in my mind whispering “who cares” was a loud pleading yelp.
Zombieland: Double Tap is a funny, but unnecessary sequel to the 2009 zom-com from Ruben Fleischer. Maria Lattila reviews.