2010s
Beyond its clear feats for being a feature debut, Les Misérables is an urgent urban masterpiece.
Minhal Baig marries an American indie aesthetic with a uniquely immigrant narrative for something fresh, vital and worthwhile.
It’s time for our team to give you their personal top tens of 2019, along with some gushing about their absolute favorite.
Featuring a solid turn from Justin Long, The Wave is a delightfully different drug comedy.
Let It Snow isn’t an overly ambitious film, but that doesn’t mean it’s not enjoyable.
Like the pulse of life, in Waves, there are times to laugh, to cry, to mourn, to smile and to hope. And the biggest weapon we wield is the capacity to forgive and persevere.
If you see this streaming the next time you are surfing, Get Gone. There are other things to explore.
Sadly, it’s hard to call this final chapter of the Ip Man saga a successful piece of filmmaking.
Troop Zero is a feel-good film in every sense of the word and it is the hope of this critic that people find and cherish this film.
John Mulaney and crew have deftly crafted a funny look at being a kid, silly enough to be likable while endearing itself to our nostalgia for childish things.
Though featuring actors and events you’ve seen before, Mob Town should have been left on the shelves.
A powerful and thoughtful short film, Brotherhood tackles complex themes of family and conflict with a muted elegance.
I Lost My Body leaves plenty to be interpreted and discovered by its viewers, making it one of the most thought provoking animated films of the 2010s.
Code 8 is exhilarating, gruesome, and touching, and its unique premise may very well be appreciated across genres.
Wasp Network’s bites off far more than it can chew, there’s no denying this all-star cast makes up for what is lost in plot.