2010s
Chung takes heavy, economic, social, and intimate struggles of one middle-class family and trusts the audience to find something relatable and universal in their story.
This month for our Staff Inquiry, we’re highlighting some of the TV series that left us feeling just right.
The Sonata attempts to be moody, brooding, and dark, only to come off as predictable, cliched, and silly.
The concept of a documentary feature exploring Michael Leuni, such an eminent figure of Australian culture, was promising, but eventually disappoints.
Dark Waters is poignant, infuriating, and anxiety-inducing in the best possible way, and serves as a reminder of the importance of compassion and responsibility — now more than ever.
The conflicts at the heart of Synonyms will resonate deeply, thanks to Lapid’s deeply personal storytelling and Mercier’s fiery performance.
Honeyland proves to be an immensely intimate look at the life of a woman whilst also remaining completely universal.
Romeos gets points for being one of the few films out there about a trans-man who gets a happy ending, but it is mired in unlikable characters who run the gamut of stereotypes.
This telling of White Snake adds an action-fantasy plot to its romance story, and feels like a mesh of other fantasy films you’ve seen before.
The Lodge is inventive, it’s clever and it’s pretty damn spooky. If you’re a horror fan, don’t let this one slip under the radar.
For such a quietly paced film, The Assistant certainly tackles a very serious topic through an intensely contemplative lens.
Each of these stories featured an intriguing idea with theirr own successes, yet the compilation of Grim Woods leaves much to be desired.
Manara is a thoughtful and quietly powerful short film, and feels particularly timely, deserving to be a part of the conversation
Coupled with skill in front and behind the camera, It is not gore or a body count but pure tension that pulsates through Dead Sound, pushing it forward.