2010s
This little gem of a film won the Nora Ephron Prize at this year’s Tribeca film festival, which is awarded to recognise the work of female writers or directors whose film is making its North American premiere at the festival, and it’s easy to see why. Adult Life Skills is based on writer/director Rachel Tunnard’s short film Emotional Fuse Box and centres on the character of Anna (Jodie Whittaker). Anna is approaching her 30th birthday and struggling to cope with recent life events, which are gently revealed to us throughout the film via flashbacks and Anna’s visual manifestations of the past as she attempts to live in the here and now.
Nearly everything about the film The Shallows seems to indicate that you wouldn’t be at a loss for missing it in theaters. The premise of an attractive woman in turmoil, coupled with an unbelievably vicious shark – each of these stories on their own has been done time and time again. Yet, somehow, The Shallows manages to just surpass the murky depths that most of those films sink to.
What happens when two performance artists grow up, get married and have kids? Their kids become part of their art, of course. This is the story of Caleb and Camille and their two children whom they affectionately dubbed “Child A” (Annie) and “Child B” (Baxter).
Ewan McGregor stars across Stellan Skarsgård, with Naomie Harris and Damian Lewis, in this film adaptation of the John le Carré (who is also on board as executive producer) novel of the same name, with a screenplay penned by Hossein Amini, helmed by British director Susanna White. With neo-noir ingredients, this thriller falls somewhere between slow-burn and slow-going. At times, we’re left to wonder why there isn’t more action, or twists (I felt similarly during Jack Ryan:
There is offense to be taken with the frame and exterior of physical bodies. Beauty, it has been said, is in the eye of the beholder. Yet, one can’t help but feel that, since the rise of feminism and the development of the male-gaze interpretation, almost all appreciation for the aesthetics of a given film has been entirely lost.
In the opening minutes of Pervert Park, we are introduced to a man recounting a story of loneliness and isolation, detailing how he had trouble building and maintaining relationships and finding his place in the world. It’s one of the most relatable narratives available, and the interview quickly builds a feeling of empathy. That is until he utters the words “then I found this little girl” and we understand how easy it is to create a monster.
Love Between the Covers is a doc telling the story of the savvy female community that has built a powerhouse industry sharing love stories.
What happens when a doctor, a goat, and an impotent man converge in small town Kansas in 1917? Something you probably wouldn’t believe if it wasn’t told to you in a documentary or by some other authoritative source, because the story is wild, weird, and very nuts. What happened was that doctor John Romulus Brinkley developed a goat-to-human testicular transplant that cured the impotent man, launching him to fame and fortune while the rest of America sunk deep into the Great Depression.
The Secret Life Of Pets is an enjoyable experience that will have you laughing & engaging with its colourful characters and vibrant locations.
In order to grasp the ferocity of the film formerly known as February, we need to start at the beginning. Set primarily in an all-girls Catholic boarding school (are you terrified already?), The Blackcoat’s Daughter tells the tale of three women bound together by a series of ominous occurrences.
There are no shortage of docs that explore underworlds and subcultures most of us have hardly considered, if we knew they existed at all. These sorts of films, which have been a hallmark of the modern documentary since Salesman and feature subjects as varied as those of Paris is Burning and Murderball, serve both to reveal what is unique about adherents of a particular subculture as well as communicate how they have the same hopes and dreams as everyone else. The new documentary Tickled is no exception, but it flips the idea on its ear.
Growing up as a first generation Asian American, I looked to television and cinema for hints to “fit in” with all the other Americans, to improve my grammar and English, to embrace the idea of being American. In that transition, I severed some of my Filipino roots. I can understand Tagalog, but I can’t speak it.
Often shrugged off as a base form of entertainment, the action genre has carved out its place in the cinematic phalanx. Spy capers, heist films or just a good old-fashioned shoot ‘em up have all become, in some why or another, a part of our lives in the form of witty one-liners such as ‘I’ll be back,” Detective John McClane saving Christmas (twice) and The Rock being— The Rock. Memorable moments which have become ingrained in our memories.
You will see the term postmodern to describe the comedy of The Lonely Island, the comedy team responsible for this film and the birth of the Saturday Night Live Digital Short, as you read opinions on their newest film, Popstar: Never Stop Never Stopping. It is a vague term that means comedy that deconstructs the art and is self-aware.
After a brief hiatus with Fast and Furious 7, mainstream horror’s prodigal son James Wan has returned to the Devil’s Church of Jump Scares with a sequel to his paranormal blockbuster, The Conjuring. The main lesson he seems to have learned on his franchise-hopping action excursion is how to make things feel absolutely massive, and in following the golden rule of sequels, he’s applied that bigger-is-better ethos to The Conjuring 2. The ghostbusting duo of the first film – Ed and Lorraine Warren – are called to London to flush out some more housebound demons, but in an effort to raise the stakes over the first film, Lorraine is also faced with her own adversaries: