2010s
With little of the humor and spark that made the original a Christmas classic, Bad Santa 2 is a misconstrued disaster for all involved.
Despite its length, Toni Erdmann succeeds because of the character study at its core, and also contains one of the best scenes of the year.
Brutal is an unentertaining slog to get through from start to finish, and it should have been abandoned on the very first day of shooting.
Cameraperson interweaves many distinct stories brought to the screen by Kirsten Johnson; it is an unwavering work and truly worth your time.
Manchester by the Sea is a subtle, nuanced story of loss and grief, brought to life through restrained direction and powerful performances.
On New Year’s Eve, six friends get together and reflect on their lives, and the bigger issues in the world. Auld Lang Syne is a nice addition to the small collection of films written, directed, and shot by women.
In Loving, Jeff Nichols’ historical drama about an interracial couple who helped change marriage laws in The United States, the characters are reflections of Nichols own lineage and it’s quite the different kind of biography.
Closet Monster is a movie that fluently balances drama and humor, but the very essence within its message is one of defiant and radical hope.
Miss Hokusai is based on the Japanese manga, and through a series of montages, it tells a powerful story of the struggles of an artist.
Other People, a semi-autobiographical film based on writer Chris Kelly’s experiences, works in a beautiful way due to the subtext behind it.
Office Christmas Party is a glaringly unfunny R-rated comedy, which isn’t even saved by the talented crew in front of and behind the camera.
With Hitchc*ck/Truffaut, Kent Jones has created a meticulous and perceptive work in which essay, commentary and conversation overlap, charting the strange synthesis of reverie and technique which constitutes the art of filmmaking.
Nocturnal Animals is Tom Ford’s latest film, presented in lavish and bright neon colors; though it also possesses a hopelessly dark view.
The Unknown Girl sees the directors yet again flirt with their beloved recurrent theme of criminality, here taking their most overt detour into procedural thriller territory to date.
Counter Clockwise is a low budget sci-fi film, with horror and thriller inflections, in which a scientist stumbles upon the creation of a time machine.