2010s
Ricky Gervais’ feature length outing for his most beloved character is one of the most emotionally poignant comedies in recent memory.
You’re Killing Me Susana doesn’t adhere to almost any of the rom-com genre’s stereotypes, yet its static characters cause it to stumble.
West Virginia has suddenly become the subject of intense scrutiny. The denizens of the state could well be forgiven for wondering where the mass media and political class were before the 2016 presidential primaries and election turned West Virginia into an unlikely bellweather for the appeal of Donald Trump’s populist rhetoric. Trump’s hardhat-donning ‘Trump Digs Coal’ campaign delivered him the state by a resounding 68.
Live by Night is the next directorial effort from Ben Affleck, in which he also stars/writes/produces; it is another indicator of his talent.
Road to the Well has redeeming qualities, including fine acting and cinematography, yet it falls short of greatness from its lacking story.
Does the sixth instalment in the Resident Evil franchise break the mould by being the movie that fans have always wanted?
Lion will likely be overlooked at this year’s Oscars; with its inspiring heart-wrenching true story, though, it is still worth watching.
The Birth of a Nation is often relentlessly dark and bitter, and as a result is only partly a success at delivering its compelling message.
Arrival and Hell or High Water are both allegorical, effective films from last year, yet they also tend to state their themes too bluntly.
More people died, many were saved. Fire At Sea is an expression of pure sorrow and joy inextricably linked together; the story of their exodus.
Paul Thomas Anderson deeply cares about his characters, and the world that surrounds them. These themes are front and centre in The Master.
With Certain Women, director Kelly Reichardt has created one of the most human cinematic universes in recent memory.
T2 Trainspotting, though enjoyable in its own right, ultimately relies too heavily on nostalgia for the original to be a complete success.
Sing is a film which is trying to look on the more positive side of these singing competitions; it is about hope and a real desire to change.
A Tale of Love and Darkness is a sincere and emotionally impactful viewing experience; a great directorial debut from Natalie Portman.