2010s

NIGHT KALEIDOSCOPE: A Visually Astute Mess
NIGHT KALEIDOSCOPE: A Visually Astute Mess

Indie low-budget vampire horror Night Kaleidoscopee has solid visuals but this is not enough to cover up its paper thin characters and story.

THE DISCOVERY: A Failed Attempt At An Interesting Idea
THE DISCOVERY: A Failed Attempt At An Interesting Idea

The Discovery dabbles in too many genres and never makes a compelling case for any of them, resulting in yet another lackluster Netflix film.

MOST HATED WOMAN IN AMERICA: No Room For Superlatives In Netflix’s Mediocre Biopic
MOST HATED WOMAN IN AMERICA: No Room For Superlatives In Netflix’s Mediocre Biopic

Most Hated Woman In America never quite lives up to the intrigue of the contentious woman and her story at the heart of the film.

BLUE JAY: Achieving Beauty Through Simplicity
BLUE JAY: Achieving Beauty Through Simplicity

Blue Jay weaves in and out of beautifully written scenes, with a minimalist visual style focusing solely on the performances and the interactions.

THE DEVIL'S CANDY: An Intersection of Genius, Madness & The Devil
THE DEVIL’S CANDY: An Intersection Of Genius, Madness & The Devil

With The Devil’s Candy, provocative Australian director Sean Byrne proves he is one of the best genre filmmakers working today.

THE EAGLE HUNTRESS: A Beautiful Story, But Is It A Great Documentary?
THE EAGLE HUNTRESS: A Beautiful Story, But Is It A Great Documentary?

Otto Bell’s documentary The Eagle Huntress is empowering – even if it does frequently feel staged or exaggerated for dramatic effect.

THE SENSE OF AN ENDING: A Novel Adaptation That Was Best Left On The Page
THE SENSE OF AN ENDING: A Novel Adaptation That Was Best Left On The Page

The Sense of an Ending is a commendable effort from both director and cast, yet its underwritten characters become lost in adaptation.

Interview With THE DARK TAPES Director Michael McQuown
THE DARK TAPES: The Best Found Footage Film In Years

The stale found footage genre is revitalised with ambitious anthology film The Dark Tapes, a stunning directorial debut from Michael McQuown.

SOMETIMES, FOREVER: A Dreamy Portrait Of Teenage Love
SOMETIMES, FOREVER: A Dreamy Portrait Of Teenage Love

Sometimes, Forever is a stylish, incisive look at teenage sexuality, and though it’s set in the ’90s, it does much to speak to our own time.

THE OTHER RIPKEN: An Accidental Hero
THE OTHER RIPKEN: An Accidental Hero

The Other Ripken is a short but sweet documentary about Billy Ripken, a little-known baseball player who played for the Baltimore Orioles.

Nine Lives: The One Where Kevin Spacey Plays A Cat
NINE LIVES: The One Where Kevin Spacey Plays A Cat

At times brimming with invention and at other moments leaving you confused as to who this is for, Nine Lives doesn’t fully deliver.

GOING IN STYLE Stumbles Over Its Refusal To Pick A Genre
GOING IN STYLE Stumbles Over Its Refusal To Pick A Genre

Going in Style from Zach Braff is a forgettable film that stumbles through genres while seemingly wasting its timeless cast.

GIFTED: It's Not Easy Raising A Genius
GIFTED: It’s Not Easy Raising A Genius

Gifted is grounded and gritty, on a mission to make you laugh, make you cry, make you root for the good guys while booing for the bad.

BAD GIRL: A '90s Thriller With Modern Day Lenses
BAD GIRL: A ’90s Thriller With Modern Day Lenses

Though inspired by the erotic thrillers of the ’90s, Bad Girl ultimately fails to do anything original or exciting with its material.

QUARRIES: An 80 Minute Endurance Test For All The Wrong Reasons

It’s no fun to criticise an aspiring filmmaker’s low budget passion project- but when the result is as misguided as Quarries, it’s necessary.