2010s
About an aspiring actress in Iraq, Dream City weaves together both political and personal prospects to capture an immersive slice of life.
Streamer is a tense, intimate and at times stunning feature that ultimately derails in its very final moments.
Guy Ritchie has joyously updated King Arthur with the same distinctive style as his Sherlock Holmes movies. Purists may want to look away.
The Amy Schumer hate train has been gaining momentum as of late. Her hard political…
Despite bringing to life some previously unseen perspectives on the holocaust, The Zookeeper’s Wife is far from faultless.
Yellow Fever wants to be an important film about Asian identity, however it falters and falls back on tired Hollywood plots and stereotypes.
Other than strong performances, Deny Everything is mostly unsuccessful, due to an uneven story-line, poor camerawork, and jokes that fall flat.
With an interesting premise & gorgeous visuals, A Cure For Wellness sadly gets bogged down by its 130 minute runtime and poor story delivery.
An open mind and a willing heart are needed to appreciate Slack Bay’s zaniness; it’s a lot of fun when the initial peculiarities settle.
Though with timely themes and a fine cast/director, The Circle attempts to do too much with its material, instead ending up as lost potential.
Small Crimes’s script fails to capture the continuity of Zeltserman’s novel, and Katz doesn’t make the transition any smoother at the helm.
Guardians of the Galaxy Vol. 2 pales, in some ways, to its predecessor, yet it has just enough charm and heart to make up for its pitfalls.
Silver Skies shows us how full of love, passion, friendship and fun the lives of the elderly are, and how we can learn from this depiction.
Tracktown, by Alexi Pappas and Jeremey Teicher, is a cutesy, generic, unfunny indie film, with an array of underdeveloped themes.
A Woman’s Life shows the hardships women endure throughout their lives relentlessly and without optimism, and is depressing as a result.